Dileep Biography

Dileep Biography

Dileep (conceived Gopalakrishnan Padmanabhan Pillai, on 27 October 1968) is an Indian film performing artist, who is likewise an artist, mimicry craftsman, maker, and representative. He’s best known for his droll satire parts in Malayalam silver screen and his slandering capture on July 2017. His profession traverses over a quarter-century, featuring in more than 130 movies.

Dileep started his movie vocation in 1991 as an associate executive in chief Kamal’s Vishnulokam. He achieved fame through his impressionist demonstrations in organize shows and Comicola, a TV parody arrangement circulated on Asianet. His part as Dileep in Manathe Kottaram (1994) made ready to his acting profession. Movies, for example, Sallapam (1996), Ee Puzhayum Kadannu (1996), Punjabi House (1998), and Chandranudikkunna Dikhil (1999) built up his status as a conspicuous performer amid the late-1990s.

Subsequent to conveying consecutive hits in the mid 2000s with movies, for example, Thenkasipattanam (2000), Joker (2000), Ee Parakkum Thalika (2001), Ishtam (2001), Mazhathullikkilukkam (2002) and Kalyanaraman (2002), Dileep built up himself as a bankable lead star in the Malayalam film industry with the blockbuster achievement of Meesa Madhavan (2002).

He won the Filmfare Award for Best Actor for his part as Madhavan in Meesa Madhavan. He won his first Kerala State Film Award (Special Jury) for his execution as Vimal Kumar (Kunjan) in Kunjikoonan (2002) and later won the Best Actor Award for his execution as Mukkom Shajahan in the film Vellaripravinte Changathi (2011). Dileep’s 2015 film Two Countries went ahead to make ₹55 crores, making it among the main 10 most astounding earning Malayalam movies

Dileep wandered into creation and delivered and featured in C.I.D. Moosa (2003) under the pennant Graand Production. Kathavasheshan (2004) won Dileep the Kerala State Film Award for Second Best Film as a maker. In 2008, under the flag of Grand Production, Dileep created Twenty:20 by throwing the vast majority of the standard performing artists of Malayalam silver screen, which had turned into the most noteworthy netting Malayalam film around then. He delivered the multi-starer keeping in mind the end goal to raise reserves for the Association of Malayalam Movie Artists (AMMA).

Amazing Production went ahead to create movies, for example, Malarvaadi Arts Club (2010) and The Metro (2011).

On 10 July 2017, Dileep was captured by the Kerala Police and accordingly remanded for scheme of seizing and assault endeavor on an Indian film performer. Dileep was later denied safeguard by a judge court and the High Court of Kerala.

Early life

Dileep was conceived Gopalakrishnan as the eldest among three youngsters to Padmanabhan Pillai and Sarojam on 27 October 1968 in Aluva, Ernakulam locale, Kerala. He has a more youthful sibling, Anoop and a more youthful sister, Sabitha.

He contemplated in VVBHS secondary school (passed tenth Standard in 1985) and joined Union Christian College, Aluva (pre-degree, third gathering, 1985–1987) and sought after degree in History from Ernakulam Maharaja’s College. Dileep began to consider mimicry important at Maharaja’s. Dileep rendered his voice in Onam-based comic collections “De Maveli Kombathu”, with his companions Nadir Shah and Abi.


Dileep began his profession at Kalabhavan, functioning as a mimicry craftsman. He likewise performed in Asianet’s comic drama indicate Comicola. Later he persuaded an opportunity to be the associate executive to Kamal. While being an aide executive, Dileep did some little parts, appearing with only a little scene in Kamal’s Ennodu Ishtam Koodamo (1992).

Kamal prescribed his name to numerous executives. The film Manathe Kottaram (1994), coordinated by Sunil, offered him the principal reprieve and his screen name Dileep came into put through the character of a similar name that he played. Other minor parts amid this time incorporated Joshi’s Sainyam (1993), Sibi Malayil’s Sindoora Rekha (1995), Viji Thampi’s Pidakozhi Koovunna Nootand (1994), Kamal’s Ulladakkam (1993) and Sudhinam (1994),Thooval Kottaram (1996), Swapna Lokathe Balabhaskaran (1996), Ee Puzhayum Kadannu in 1996. Sallapam (1996) offered him the truly necessary reprieve and he turned into a conspicuous figure in the motion picture industry.

He assumed a supporting part in I. V. Sasi’s Varnapakittu in 1997.Punjabi House (1998) was a noteworthy accomplishment for the performing artist and it saw the start of the mainstream Dileep-Harishri Asokan combo. His different movies Meenathil Thalikettu (1998) and Chandranudikkunna Dikhil (1999) likewise fared well.


Dileep began the thousand years with hits like Mister Butler (2000) and Darling (2000). He assumed a supporting part in the blockbusterThenkasipattanam (2000). He finished the year with Joker (2000). The film portraying the hardship of bazaar specialists was a basic and business success.Ee Parakkum Thalika (2001) was likewise a noteworthy success.

Ishtam (2001), Mazhathullikkilukkam (2002) were better than expected earns. He finished the year with Kunjikkoonan (2002). He won the Kerala State Film Special Jury Award for playing Kunjan in Kunjikoonan. The film was likewise a significant film industry achievement. With Lal Jose’s Meesa Madhavan (2002) Dileep turned an overnight hotshot. He assumed to flawlessness the part of the hoodlum Madhavan.

The motion picture was the year’s most noteworthy grosser and his science with Kavya Madhavan was charmed. The motion picture’s music was created by Vidyasagar and the film accomplished religion status in the state. Kalyanaraman (2003), Jayaraj’s Thilakkam (2003), and Johny Antony’s C.I.D. Moosa (2003) (which he delivered himself) proceeded with the on-screen character’s fantasy film industry run. He likewise delivered and featured in T. V. Chandran’s Kadhavaseshan (2004). In 2004, he featured in Priyadarshan’s Vettam. Regardless of the underlying buildup, the motion picture failed in the cinematic world.

Chanthupottu (2005) saw his get-together with Lal Jose. The motion picture was monetarily and fundamentally generally welcomed. He likewise won the Special Jury Award at the Kerala State Film Awards for his execution in the movie.[citation needed]. He wandered energetically with Joshy’s Runway (2004). The motion picture broke a few film industry records and gave Dileep the tag of Popular Actor. Kochirajavu (2005) his next discharge was a better than expected grosser. Lion (2006) a political thriller was another blockbuster for the on-screen character. His next discharges were Chess (2006) and Don (2006).

The previous was a beneath normal grosser while the Shaji Kailas coordinated Don in spite of its gigantic beginning draw besieged in the cinema world. He played the competitor Arjun in Speed Track, the introduction of executive Jayasurya. His second film with the executive Sathyan Anthikad, Vinodayathra, was discharged in April 2007. The film gave Dileep his first accomplishment after a few duds. He showed up in Blessy’s Calcutta News (2008). The motion picture bombed basically and industrially. In 2006 he loaned his voice to the moronic character played by Shahid Kapoor in Priyadarshan’s Hindi film Chup Ke. Story of the 2006 motion picture Pachakuthira was composed by Dileep.

Dileep delivered Joshiy’s Twenty:20 (2008). In 2009, his movies included Crazy Gopalan, Moz and Cat coordinated by executive Fazil. The previous failed to meet expectations in the cinema world while the last bombarded. Traveler. The motion picture was a sleeper hit and the on-screen character’s execution was generally welcomed. He finished the decade with widely praised Swantham Lekhakan which saw him collaborate with Gopika after the super hit Chanthupottu.


In the start of the 2010s, Dileep featured in Bodyguard coordinated by Siddique. The film was a direct achievement while its revamps Kaavalan featuring Vijay and Bodyguard featuring Salman Khan ended up plainly tremendous hits. The last additionally achieved the pined for 100 crore stamp. Aagathan and Paappi Appacha were his next movies. The previous failed to meet expectations while the last fared well in the cinematic world.

His creation wander Malarvaadi Arts Club was coordinated by Vineeth Sreenivasan which was additionally the presentation vehicle of Nivin Pauly. The Hindi motion picture Toofan was discharged in 2010, which is a kids’ film, coordinated by Major Ravi. In 2010, he likewise featured in his 100th movieKaaryasthan. Regardless of blended reports from pundits, the motion picture was a blockbuster. In 2011, he featured in Marykkundoru Kunjaadu was a super hit.

He additionally showed up in multi starrer Christian Brothers and China Town. Both went ahead to wind up noticeably enormous hits. In 2011, he likewise featured in Orma Mathram, The Filmstaar and Vellaripravinte Changathi for which he won a Kerala State Film Award for Best Actor.

His initially discharge in 2012 was Spanish Masala coordinated by Lal Jose. The film failed to meet expectations in the cinema world. His next motion picture in 2012 Mayamohini cleared the movies by storm, it went ahead to wind up plainly one of the most astounding grosser ever. With Mr. Marumakan and My Boss he proceeded with his fantasy film industry run. His initially discharge in 2013 was the multi starer Proprietors: Kammath and Kammath.

Regardless of poor audits, the star energy of the leads (another being Mammootty) the motion picture turned into a major hit. He assumed the lead part in Vysakh’s Sound Thoma and later featured in Sringaravelan. Both fared well in the cinematic world at the end of the day demonstrating Janapriyanayakan Dileep’s fortification as the movies lord. Nadodimannan and Ezhu Sundara Rathrikal bombed impressively in the cinema world in spite of tremendous introductory draw. In 2014 was he showed up in another hit Raffi’s Ring Master that earned more than 10 crores.

He additionally showed up in Avatharam and Villali Veeran. The previous was a better than expected grosser while the last floundered. In 2015 he featured in Ivan Maryadaraman, the official change of Son of Sardar. The makers recuperated its expenses inside the main seven day stretch of the discharge yet neglected to wind up plainly a hit. He lined it up with Chandrettan Evideya . The motion picture was fundamentally and monetarily effective. He additionally did a visitor appearance in a melody in Kannada star Shivrajkumar ‘s Vajrakaya.

He was most recently seen playing the title character in Jeethu Joseph’s Life of Josutty. In spite of their past joint effort My Boss was an enormous blockbuster, this motion picture turns into a better than expected grosser. “Two Countries” discharged on Christmas 2015 coordinated by Shafi ended up noticeably one of the greatest blockbuster hit in Dileep’s vocation and the film got generally positive audit all finished and turned into the most elevated earning film in his profession.

Two nations enters 50 crore club and at present by “Drishyam “, “Pulimurugan”, “oppam” and “Premam “. In 2016 his initially film was “Above all else Liar ” that entered the 20 crores. Later he featured in Welcome to focal prison a business hit and Pinneyum. His last motion picture Georgettans Pooram was a normal hit. up and coming motion pictures are “Teacher Dingan” and Ramleela.

Personal life

Dileep wedded on-screen character Manju Warrier on 20 October 1998. The couple has one girl, Meenakshi (conceived in 2000). In July 2014, Dileep petitioned for separate which was allowed on 31 January 2015. Dileep wedded performer Kavya Madhavan on 25 November 2016 at Vedanta Hotel, Kochi. In any case, Manorama News detailed that Dileep had hitched another lady of his inaccessible relative before his wedding to Manju Warrier. The police found that the wedding was authoritatively recorded at an enlistment center office in Aluva and endeavors are being made to recover the records.


Dileep and Nadirshah were addressed by kerala police at first for 13 hours and along these lines for ten hours regarding a snatching and rape of a famous Indian performer on 17 February 2017. The on-screen character was abducted and after that attacked while going for work

As indicated by the FIR, a seven part group attacked the on-screen character who was going on the national interstate in Nedumbassery around 10 pm. Amid the trip, the performer’s driver Martin sent a few SMS’s to somebody. In light of Martin’s course, a pack took after the performer in a rhythm explorer van and hit her auto intentionally and made a contention with Martin.

Meanwhile, two of the pack individuals commandingly went into the auto and constrained Martin to drive the auto according to his course. The second and the third denounced people burst into the auto and powerfully secured the performer’s mouth with their palms. Undermining and requesting that the performer not yell, the blamed got the cell phone from the on-screen character.

Amid the trip, the third blamed (not named in the FIR) got down from the auto. The fourth denounced at that point entered the auto and helped the others overwhelm the performing artist before venturing down. The fifth and 6th charged people joined the kidnapping group in transit. They occupied their course and went into a house with a barbecued door. From that crossroads, the prime blamed Sunil Kumar a.k.a “Pulsar Suni”, entered the auto with a towel covering his face and assumed control over the driver’s seat.

Martin, who had driven the auto till at that point, left the group and moved into the van which was following the auto entire the time. Pulsar Suni at that point drove the auto to Kakkanad region where he attacked the on-screen character. He told the on-screen character that he was endowed with the undertaking of “shooting her trading off pictures and recordings” and needed the on-screen character to coordinate. The police says the group attacked the on-screen character for right around two-and-half hours inside the moving vehicle.

The performer at last took shelter at on-screen character Lal’s home and educated the police. The pack got away in the van however later captured by the police. The police enrolled a FIR with segments of assault, criminal terrorizing, criminal connivance and pertinent segments of the IT Act. The police said the casualties restorative examination has affirmed assault. The performing artist says that she is mulling over suing Dileep after he charged that the performer was companions with Pulsar Suni. The Kerala ladies’ bonus later enrolled a body of evidence against Dileep and three others with respect to the issue and later will gather bits of proof.

Case investigation

Dileep and his dear companions have been blamed for planning the assault. The examination proposes that the prime charged Pulsar Suni had reached Dileep’s administrator Appunni, whose expectant safeguard request was dismissed by the high court, through different portable numbers a few times between November 2016 and February 2017. The police got data that Pulsar Suni went to Dileep at five distinctive indicated places, including the shooting areas of Dileep where the scheme was incubated. The photographs of him remaining close Dileep a couple of days back the assault on the performing artist is additionally received.Pulsar Suni again expected to have composed a letter from imprison routed to Dileep, dated 12 April 2017.

The police took nitty gritty articulations of Dileep and Nadirshah however did not give any spotless chits to them since the case is under scrutiny. Dileep had before recorded a police grumbling against Pulsar Suni for the claimed endeavor to blackmail ₹1.5 crore from Dileep. In any case, the police says that the coercion grievance made by Dileep is fake. Dileep had flopped in building up on how, when, and where he was coerced.

It is accounted for that the police looked through an online dress showroom called “Laksyah” claimed by Dileep’s available spouse Kavya Madhavan looking for a memory card regarding the case examination. The CCTV visuals from a close-by shop demonstrates that in the wake of perpetrating the wrongdoing, the captured driver had gone by the boutique ‘Laksyah’. On 25 July 2017, Kavya Madhavan was addressed by an exceptional examination group from kerala police for six hours testing the case. The police likewise addressed artist Rimi Tomy, a dear companion of Dileep and his better half Kavya Madhavan, as a feature of the progressing examination

Arrest & bail refusal

he police took Dileep in guardianship on 10 July 2017 morning and enlisted his capture by that day evening by forcing IPC Section 120 (B) for criminal intrigue. Dileep was sent to the sub-imprison and remanded for 14 days. The capture was on the premise of 19 bits of proof demonstrating his inclusion in the scheme. Dileep was later taken to three areas for gathering proof for the situation identified with the snatching and rape of the on-screen character. The police says the cell phone that used to record the visuals is by and by with Dileep. On 15 July 2017, a judge court denied safeguard to Dileep and remanded him until 25 July 2017, he has been sent to the sub-imprison. Dileep moved a safeguard application in the High Court of Kerala on 17 July 2017, the high court rejected the safeguard request on 24 July 2017.

The arraignment contended at the high court that “it was without precedent for the historical backdrop of criminal law a citation had been given for perpetrating assault. Dileep’s name will be composed in the history books in the event that he is indicted for the situation as his demonstration is an uncommon episode.” The high court judge said that there is at first sight materials to associate the contribution with Dileep in the wrongdoing. “The case is novel, considering its reality, careful arranging, remorseless nature of execution and being a wrongdoing executed to wreak retaliation on a lady by drawing in offenders, to sexually manhandle her”

The ‘quotation’ & reason

Dileep is blamed for contracting a “citation” pack to assault the performing artist and record the visuals to settle individual feud over family matters. Dileep had hitched Manju Warrier and a youngster was conceived from that connection. Thusly, wedding debate emerged in their family, at last prompting a separation. Dileep presumed that, the casualty on-screen character, who was a dear companion of Manju Warrier, was instrumental in the disturbance of his marital life. It is accounted for that amid a phase demonstrate practice, the casualty on-screen character discovered Dileep’s issue with his present spouse Kavya Madhavan.

The performing artist educated about it to Manju Warrier, her dear companion and ex of Dileep, at last brought about a separation. To wreak retribution, Dileep supposedly contrived with Pulsar Suni, who used to get related with film creation units and had a criminal reputation, to snatch the casualty and to take her bare recordings. On the citation, Dileep demanded that the naked recordings ought to obviously demonstrate the performing artist’s grinning face and the wedding band on her finger. It is charged that Dileep consented to pay ₹ 1.5 crores (USD 230,000) for the citation and gave over ₹ 10,000 as progress to Pulsar Suni.

The pack made fizzled endeavors to assault the on-screen character on two events since 2013 yet just prevailing in February 2017.

Amid a meeting in late-2015, the casualty performing artist says that the inconveniences began when she helped a dear companion (Manju Warrier) over some family issues. She additionally asserted that an informal boycott against her in the silver screen industry. While she has not named anybody, it is broadly trusted that Dileep was the reason for the casualty performing artist’s boycott. In any case, it is noticed that the casualty performer was at one time a dear companion of Dileep and matched with him in a few hit motion pictures

Other allegations

Another affirmation made upon Dileep connected to performer Kalabhavan Mani’s passing. The late performer’s family claimed that they speculate Dileep’s association in Mani’s demise. The police and authorization directorate say that they are likewise researching into Dileep’s budgetary, land, theater bargains and different business dealings, after they have discovered a few disparities in his announcements. It is assessed that Dileep and relatives has land resources worth over ₹ 600 crore (USD 100 million). The state arrive board found that Dileep has disregarded the land changes act. Dileep and family possessed around 21.67 sections of land crosswise over five regions in the state.

According to the law, one family is permitted to possess just 15 sections of land of land. It is charged that Dileep had constructed ‘D Cinemaas’, an inn and theater complex in a disputable government arrive by creating records by the assistance of government authorities, the carefulness court requested a test into the claims. The land has been as of late measured by the review office and discovered it has not been infringed.

The authorities gathered proof of benami ventures of a few people in the business, some with center east connections. Natural activists in Kumarakom affirm that Dileep sent a criminal pack to secure a bit of government arrive he wrongfully guaranteed and later sold it while high court was investigating the issue, the income serve had educated the authorities to direct an investigation into the issue. The police alluded to the court that a paid open connection battle in the online networking with the goal of making a sensitivity for Dileep and secure his discharge.

Amid a meeting, performing artist Thilakan remarked about Dileep as a “noxious individual” and his foe. Thilakan trusted that Dileep was against him getting open doors in the motion pictures. Executive Vinayan said that Dileep is an “ace controller and Mohanlal and Mammootty have been manikins in his grasp”. He likewise claimed that Dileep has defiled the Malayalam film industry as he was ascended into such an energy to control over the Malayalam silver screen.


The official advisory group meeting of the Association of Malayalam Movie Artists (AMMA) and The Film Exhibitors United Organization of Kerala (FEUOK), ousted Dileep with quick impact following his capture. The business firms possessed by Dileep confronted the outrage by driving youth political gatherings after the performing artist was captured. The activists decimated the performing artist’s ‘Dhe Puttu’ eatery and took out a challenge walk into ‘D cinemaas’.

The nonconformists consumed Dileep’s representation and raised mottos against the on-screen character. The discharge date of Dileep’s huge spending film Ramaleela, which should be discharged on 21 July 2017, has been delayed in perspective of the present occasions.

It is accounted for that the capture of Dileep had caused Malayalam film industry lost ₹ 50–60 crore and furthermore influenced a portion of the on-screen character’s part of the way through activities including Kammara Sambhavam, which is allegedly being made on a financial plan of ₹ 20 crore (USD 3 Million). Other than keeping a star-esteem directly behind hotshots Mohanlal and Mammootty, Dileep is thought to be a pointer to the impact he summoned in the business and had situated himself in every aspect of Malayalam silver screen, including creation and circulation.

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