\n\t<\/td> | <\/td> | <\/td> | <\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\nDarbar Live Updates<\/p><\/div>\n Darbar Cast and Crew Details<\/strong><\/h1>\nDarbar Cast and Crew details<\/h2>\n\n\n\n\n\tDarbar<\/th> | Cast and Crew details ,News, Complete Details<\/th>\n<\/tr>\n<\/thead>\n | \n\n\tDirector of Darbar<\/td> | AR Murugadoss<\/td>\n<\/tr>\n | \n\tProducer<\/td> | Allirajah Subaskaran<\/td>\n<\/tr>\n | \n\tRelease date of Darbar<\/td> | 9 January 2020<\/td>\n<\/tr>\n | \n\tHero of Darbar<\/td> | Rajinikanth<\/td>\n<\/tr>\n | \n\tHeroine of Darbar<\/td> | Nayanthara<\/td>\n<\/tr>\n | \n\tStory<\/td> | AR Murugadoss<\/td>\n<\/tr>\n | \n\tMusic<\/td> | Anirudh Ravichander<\/td>\n<\/tr>\n | \n\tCinematography<\/td> | Santosh Sivan<\/td>\n<\/tr>\n | \n\tLanguage<\/td> | Tamil<\/td>\n<\/tr>\n | \n\tCountry<\/td> | INDIA<\/td>\n<\/tr>\n | \n\tScreenplay<\/td> | AR Murugadoss<\/td>\n<\/tr>\n | \n\tEdited <\/td> | A. Sreekar Prasad<\/td>\n<\/tr>\n | \n\tProduction company<\/td> | Lyca Productions<\/td>\n<\/tr>\n | \n\tRunning time<\/td> | 150 minutes<\/td>\n<\/tr>\n | \n\tBudget<\/td> | 200 Crores<\/td>\n<\/tr>\n<\/tbody>\n<\/table>\n\nDarbar Live Movie Updates<\/p><\/div>\n Darbar Movie Review<\/strong><\/h1>\nIn the films of AR Murugadoss, justice doesn\u2019t always isn\u2019t done by upholding the law of the land. Be it in Ramana or Thuppakki or Kaithi, his protagonists have to break the law to ensure justice is served. And that is what happens in Darbar, where an angry cop goes on a murderous rampage to take down a most-wanted criminal. Right in the opening scenes, the director establishes that his protagonist Aaditya Arunasalam (Rajinikanth, in fine form), a top cop who has been deputed to Mumbai to tackle the drug menace in the city, isn\u2019t someone who goes by the rule book. In fact, we see him threatening and roughing up the members of the human rights commission who question him about his rule-breaking.<\/p>\n Darbar Box Office<\/p><\/div>\n In the course of one of his operations, Aaditya nabs Ajay Malhotra (Prateik Babbar), the son of a top businessman, who happens to be the chief drug supplier in the city. But when Ajay is eliminated, Hari Chopra (Suniel Shetty), a dreaded gangster who turned the police force into a laughing stock 27 years earlier, returns to the country to get his revenge by targeting Aaditya and his daughter Valli (Nivetha Thomas). Taking his lead from Petta, Murugadoss turns Darbar into a celebration of Rajinikanth, the Superstar. Though he doesn\u2019t turn this film into a greatest hits collection like the former film, Murugadoss exploits the charisma and superstardom of Rajinikanth and gives us a genre film that is an engaging commercial cocktail of action and drama. The father-daughter scenes are the film\u2019s strongest selling point, with the camaraderie between Rajinikanth and Nivetha Thomas making this relationship endearing. There is a truly heartbreaking moment and Nivetha Thomas is fantastic in this portion.<\/p>\n Darbar Collection<\/p><\/div>\n Darbar is also alert to the fact that its hero\u2019s age in real life. We get an enjoyable romantic track, between Aaditya and Lily (Nayanthara, in a character that is simply a showpiece), and even as we marvel at the miraculous youthfulness of Rajinikanth in these portions (a splendid job by the makeup and the costume departments), we get a scene where a character remarks at the age difference between the two. The dignified manner in which this scene addresses this issue ensures that fans don\u2019t take it as an insult to their idol. But perhaps because his villainy is often offscreen, Suniel Shetty\u2019s Hari Chopra doesn\u2019t come across as a powerful antagonist despite being built up as one. Yes, he causes numerous casualties, but still, the lack of a solid confrontation scene between him and Aaditya makes him underwhelming. Even in the rushed climax, Aaditya has it too easy.<\/p>\n | |