Sufiyum Sujatayum Malayalam Movie Review: In this era of the coronary epidemic, the cinema, like all sectors, is trying to overcome this difficult situation. In the face of all the cinema and the cinema industry, everyone is looking for ways to advance the art of cinema and the cinema industry. As discussions around whether to adopt or reject the idea of the OTT platform, which seems to be a temporary solution, continue to grow, both in and out of the film, there are small films that look at its enjoyment-marketing potential as a way to survive. One of them is the Malayalam movie ‘Sufi and Sujatha’ released on Amazon Prime yesterday.
Sufiyum Sujatayum Movie Review
‘Sufiyum Sujatayum is a love story. Jayasurya, Aditi Rao Haidari, debutant Dev Mohan, Siddique, Mamukoya, and Karanjini will be playing the lead roles. As the name of the movie suggests, the love story between the character Sujatha and the character Sufi played by Dev Mohan is at the heart of the film. Though the film is a repetition of love stories that have often been seen before, the film manages to capture the aesthetics of the “madness” of love that no one can ever find, boundless, and romantic. The director and cinematographer have been able to reflect on the elegance of the Islamic mysticism of Sufism, which is believed to be pure love and the music of its music. The film begins from where his beloved disciple Sufi returns for the death anniversary of his Ustad. Sufi returns to the sleeping soil of his love life but dies on the same day. Sufi’s death reaches the ears of Sujatha, who lives in Dubai beyond the seas.
Sufiyum Sujatayum Review
But Sujatha is now a wife and mother of a child, but the news of her lover’s death has broken her. Jayasurya, who becomes Sujatha’s husband, goes to Sujatha’s home to participate in Sufi’s gravestone as the character Rajeevan, known as Cheyenne Rajeevan, understands the mood of his wife or frees her from the memories of love. The film chronicles Sujatha’s love affair with Sufi. The film goes on to show the romance of the first glimpse, its growth, and the objections of the householders, especially in the regular ways that are nothing new. But the director has been able to make beautiful scenes of Sujatha and Sufi who are speechless. An example of this is the scene of Sujata dancing with the Sufi’s divinely sound wank.
