Simbu’s Maanaadu Movie review; Will make you travel time

A Muslim man, who is stuck in a time loop, has to stop a political rally from taking place in order to save the state’s chief minister and prevent religious violence

Film Run Time: 2 hours 27 minutes

Genre: Action, Drama, Humor, Political

Maanaadu Cast & Crew

• Production: Suresh Kamatchi, V House Productions
• Cast: K.Karunakaran, Kalyani Priyadarshan, Premgi Amaren, S.A.Chandrashekar, Silambarasan TR, SJ Suryah, Vaagai Chandrasekhar, Y Gee Mahendran
• Direction: Venkat Prabhu
• Story: Venkat Prabhu
• Music: Yuvan Shankar Raja
• Background score: Yuvan Shankar Raja
• Cinematography: Richard M Nathan
• Art direction: Umesh J Kumar
• Stunt choreography: Stunt Silva
• Dance choreography: Raju Sundaram
• Lyrics: Arivu, Madhan Karky

Maanaadu is a time loop political movie written and directed by Venkat Prabhu and released by Suresh Kamatchi under the standard V House Productions. It has Silambarasan TR, SJ Suryah and Kalyani Priyadarshan in the number one spot jobs, while SA Chandrasekhar, YG Mahendran, Premgi, Karunakaran and others assume main supporting parts.

Silambarasan assumes the part of Abdul Khaaliq, an everyday person who is headed to assist Premgi with eloping his love. He gets into a time loop including the Chief Minister and ACP Dhanushkodi (played by SJ Suryah), and these outcomes around the same time of his life rehashing and again at whatever point he passes on. He finds that his goal in life is to save the Chief Minister’s life. The plot extensively manages the reason for this time loop and what Abdul Khaaliq does to save the Chief Minister and escape the loop.

It is a state of extraordinary disarray concerning where to start this survey. Would it be a good idea for it to begin with STR’s re-visitation of excellent condition, or would it be a good idea for it to begin with Venkat Prabhu getting back his exemplary touch, or would it be advisable for it to begin with Yuvan’s shining foundation score or Praveen KL’s enchantment on the alter? Common STR films make them break the fourth divider regularly, and have references to his past films. Here, the man has let go of all his insecurities and we see him in a brand new avatar, who is familiar yet unique at the same time.

He is exclusively subject to his acting abilities and it’s such a joy to watch him on screen. Then again, SJ Suryah thinks of a saltine of an exhibition that makes him look threatening and interesting. Just somebody like Venkat Prabhu can pull this off, since, in such a case that it was another film, his job would have been diminished to a comic one. Here however much you chuckle at him, you treat him in a serious way. Among the other supporting jobs, Kalyani Priyadarshan, Karunakaran, and Premgi chip in with helpful commitments.

It is reviving to see Venkat Prabhu handle such convoluted content in his own incomparable style. The vast majority of his exchanges summon giggling and would wind up being essential. The idea of a time loop is likewise taken care of in a manner that is simple for anybody to comprehend. Rather than picking a top-of-the-line logical explanation, Venkat Prabhu makes his own universe with its own rationale and that is the place where the film’s whole strength lies. This additionally enables him to do anything and he utilizes it.

It is exceptionally simple to get exhausted by watching exactly the same things occur on-screen however supervisor Praveen KL’s work on the alter table makes Maanaadu undeniably more captivating than what it ought to have been. His milestone 100’th film can’t improve with this stunning cuts. His work in the main half sticks out and merits high recognition. Among other specialized stuff, cinematography gives the film what it needs. One more spine of the film is Yuvan Shankar Raja’s experience score. One can’t quit murmuring the signature music of the film even in the wake of leaving the theater, and that is the means by which compelling the score is.

The film has a slogan – A Venkat Prabhu Politics and this isn’t a film that has shallow legislative issues. It talks about the segregation that Muslims face inside India and furthermore questions the tag of fear mongers that encompass the local area. Venkat Prabhu and STR don’t keep down anything and intensely question the generalization which merits acclaim thinking about the current political circumstance in the country.

In general, Maanaadu is an all-around made political film that needs you to treat its governmental issues in a serious way, while advocating the humor and sci-fi tag.